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	<title>Publication &#8211; Marina Elena Wachs</title>
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	<title>Publication &#8211; Marina Elena Wachs</title>
	<link>https://marinawachs.de</link>
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		<title>Talk about Sustainable Design Engineering &#8211; with Avedition publisher Karin Kiedaisch</title>
		<link>https://marinawachs.de/publication/talk-about-sustainable-design-engineering-with-avedition-publisher-karin-kiedaisch/</link>
		
		<dc:creator><![CDATA[Marina Wachs]]></dc:creator>
		<pubDate>Sat, 19 Oct 2024 12:05:25 +0000</pubDate>
				<category><![CDATA[M.E.Wachs Archives]]></category>
		<category><![CDATA[Publication]]></category>
		<guid isPermaLink="false">https://marinawachs.de/?p=3559</guid>

					<description><![CDATA[Design Engineering - sustainable and holistic, publied by brand: AVEDITION. At Frankfurt Book Fair 2024, we discussed together, the educational and industrial sustainable future in design. https://www.avedition.de/en/design-engineering-sustainable-and-holistic/978-3-89986-362-8]]></description>
										<content:encoded><![CDATA[<p>Thank you so much, Karin Kiedaisch for our wonderful talk about my book Design Engineering &#8211; sustainable and holistic, publied by your fantastic brand: AVEDITION as printed version. At the Frankfurt Book Fair 2024, we discussed together, the educational and industrial sustainable future in design. We are thinking about a holistical view of the design academic perspectives and at the same time about the human behaviour to go in touch with industry 4.0&#8230;to design a sustainable world: please have a look at the book here:<a href="https://www.avedition.de/media/b7/ea/25/1757489691/2022_Design%20Engineering_neu_ISSUU.pdf?ts=1757489691">https://issuu.com/avedition_stuttgart/docs/2022_design_engineering_issuu</a></p>
<p>If you like to buy the printed version, 1st edtion please go to website: <a href="https://www.avedition.de/en/design-engineering-sustainable-and-holistic/978-3-89986-362-8">https://www.avedition.de/en/design-engineering-sustainable-and-holistic/978-3-89986-362-8</a></p>
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		<title>Zukunft Designen &#8211; wundervoller Austausch mit Karin und Bertram Schmidt-Friderichs</title>
		<link>https://marinawachs.de/news/zukunft-designen-wundervoller-austausch-mit-karin-und-betram-schmidt-friderichs/</link>
		
		<dc:creator><![CDATA[Marina Wachs]]></dc:creator>
		<pubDate>Tue, 13 Aug 2024 09:00:28 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Publication]]></category>
		<guid isPermaLink="false">https://marinawachs.de/?p=3495</guid>

					<description><![CDATA[Danke für einen wundervollen Austausch mit Karin und Bertram Schmidt-Friderichs; Inhaber des Verlag Hermann Schmidt Mainz und mit riesen Erfahrung im Designen, nicht allein von Büchern. Wie kann Design nachhaltig Zukunft gestalten, welche Prozesse und welches Medienmanagement - auch mit KI -, welches Wissen müssen / wollen wir erhalten und auf welche Art der Wissensvermittlung können wir der kommenden Generation Gestaltungsfreiheit eröffnen? ]]></description>
										<content:encoded><![CDATA[<p>Ich bedanke mich sehr herzlich für den wundervollen Austausch mit Karin und Bertram Schmidt-Friderichs; Inhaber des Verlag Hermann Schmidt Mainz und mit riesen Erfahrung im Designen, nicht allein von Büchern, Gedanken und neuen Möglichkeiten an Erfahrungswerten, an denen alle teilhaben können.</p>
<p>Wie kann Design nachhaltig Zukunft gestalten, welche Prozesse und welches Medienmanagement &#8211; auch mit KI -, welches Wissen müssen / wollen wir erhalten und auf welche Art der Wissensvermittlung können wir der kommenden Generation Gestaltungsfreiheit eröffnen? &#8230; wie gestalten wir Freiheit innerhalb toleranter, diverser Kulturen und überhaupt: was ist Design in Zukunft?&#8230; viele Fragen, die wir diskutierten und die wir weiterverfolgen&#8230; &#8211; auch mit diesem fantastischen Medium des gedruckten Buchs, das wir mit in die Natur nehmen, in das wir scribbeln, poetische Gedankenschleifen eingravieren und und &#8230; Herzlichen Dank für diesen wertvollen Design-Diskurs Marina-Elena Wachs</p>
<p><img fetchpriority="high" decoding="async" class="alignnone size-medium wp-image-3480" src="https://marinawachs.de/wp-content/uploads/04VerlagSchildMainz-300x225.jpg" alt="" width="300" height="225" srcset="https://marinawachs.de/wp-content/uploads/04VerlagSchildMainz-300x225.jpg 300w, https://marinawachs.de/wp-content/uploads/04VerlagSchildMainz-1024x768.jpg 1024w, https://marinawachs.de/wp-content/uploads/04VerlagSchildMainz-768x576.jpg 768w, https://marinawachs.de/wp-content/uploads/04VerlagSchildMainz-1536x1152.jpg 1536w, https://marinawachs.de/wp-content/uploads/04VerlagSchildMainz-2048x1536.jpg 2048w" sizes="(max-width: 300px) 100vw, 300px" /></p>
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		<title>Fantastic Books by Ulrike and Marina-Elena</title>
		<link>https://marinawachs.de/publication/fantastic-books-by-urlike-and-marina-elena/</link>
		
		<dc:creator><![CDATA[Marina Wachs]]></dc:creator>
		<pubDate>Sun, 21 Jan 2024 13:01:20 +0000</pubDate>
				<category><![CDATA[Archives]]></category>
		<category><![CDATA[Publication]]></category>
		<guid isPermaLink="false">http://mew2.amtenbrink.design/?p=2717</guid>

					<description><![CDATA[&#8230;tribute to sustainable designing and planning; See the fantastic books by Ulrike Brandi and Marina-Elena Wachs&#8230; industrial designer, Ulrike with specialisation to lighting planning and lighting design, Marina with focus on material development, costume design and textiles, design methods, cultural heritage and sustainable management &#8230; and more: Ulrike Brandi: &#8218;Light &#8211; Nature &#8211; Architecture: A [&#8230;]]]></description>
										<content:encoded><![CDATA[<h2>&#8230;tribute to sustainable designing and planning;</h2>
<p>See the fantastic books by Ulrike Brandi and Marina-Elena Wachs&#8230; industrial designer, Ulrike with specialisation to lighting planning and lighting design, Marina with focus on material development, costume design and textiles, design methods, cultural heritage and sustainable management &#8230; and more:</p>
<h4>Ulrike Brandi:</h4>
<p>&#8218;Light &#8211; Nature &#8211; Architecture: A Guide to Holistic Lighting Design&#8216;, Birkhäuser</p>
<p>more:<a href="https://issuu.com/birkhauser.ch/docs/look_inside_light_nature_architecture"> look inside</a></p>
<h4>Marina-Elena Wachs:</h4>
<p>&#8218;Design Engineering &#8211; sustainable and holistic&#8216;, Avedition Publishers</p>
<p>more: <a href="https://www.avedition.de/media/b7/ea/25/1757489691/2022_Design%20Engineering_neu_ISSUU.pdf?ts=1757489691">look inside</a></p>
<p>to buy: <a href="https://www.avedition.de/en/design-engineering-sustainable-and-holistic/978-3-89986-362-8">Avedition publishers here</a></p>
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		<title>Embodied experience first before designing with(in) AI</title>
		<link>https://marinawachs.de/news/embodied-experience-first-before-designing-within-a-i/</link>
		
		<dc:creator><![CDATA[Marina Wachs]]></dc:creator>
		<pubDate>Thu, 18 Jan 2024 18:20:47 +0000</pubDate>
				<category><![CDATA[News]]></category>
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		<category><![CDATA[education is our source]]></category>
		<category><![CDATA[first embodied expierences]]></category>
		<category><![CDATA[hold on crafts technology for Europe]]></category>
		<category><![CDATA[resilient body]]></category>
		<guid isPermaLink="false">https://mew.amtenbrink.design/?p=2309</guid>

					<description><![CDATA[Please, to hold on crafts knowledge in Germany and Europe, working in cross continantal integrated design teams together. 
"First embodied experiences before designing with(in) AI" is the plea in 2024 - at several expert conferences, we have to be aware: please to shape the AI tools before they will shape us;) see you at EPDE Conference 2024 at Birmingham (UK) and at DGTF Conference 2024 at Lucerne (Switzerland).]]></description>
										<content:encoded><![CDATA[<p>The scientific papers, reports and publications this year, 2024, will underline: It is our belief, we have to invest more in hands on designing, more in creative education, in &#8218;hand &#8211; brain coordination&#8216; and in the humanities in Europe, because this is the cradle and ressource for the economic existence &#8211; a resilient body.</p>
<p>See the graphic as teaser, a modified system of stakeholders to create the change and to support the complex problem solver we need for the future&#8230; please to hold on crafts knowledge in Germany and Europe and working in cross continantal integrated design together. And about the techniques, when &#8218;First embodied experiences before designing with(in) AI&#8216; is our demand, we have to be aware at this moment: please to shape the AI tools before they will shape us;) see you at EPDE Conference 2024 at Birmingham (UK) and at DGTF Conference 2024 at Lucerne (Switzerland) to discuss togehter the designing and co-piloting systems for a sustainable ressource&#8230; for the industries, the humans and the planet. thank you.</p>
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		<title>Material Mind &#8211; Neue Materialien in Design, Kunst und Architektur</title>
		<link>https://marinawachs.de/publication/material-mind-neue-materialien-in-design-kunst-und-architektur/</link>
		
		<dc:creator><![CDATA[Marina Wachs]]></dc:creator>
		<pubDate>Wed, 17 Jan 2024 08:42:30 +0000</pubDate>
				<category><![CDATA[Publication]]></category>
		<guid isPermaLink="false">http://mew2.amtenbrink.design/?p=2828</guid>

					<description><![CDATA[Material Mind &#8211; by Marina-Elena 2007 Die Veröffentlichung &#8222;Material Mind &#8211; Materialgedächtnis: Neue Materialien in Design, Kunst und Architektur&#8220; im Dr. Kovac Verlag 2007 erschienen, ist zugleich die Doktorarbeit von Marina-Elena Wachs. Die Promotion von Marina Wachs erfolgte an der HBK Braunschweig &#8211; Hochschule für Bildende Künste Braunschweig, in der Zeit von 2003 bis 2007 [&#8230;]]]></description>
										<content:encoded><![CDATA[<h2>Material Mind &#8211; by Marina-Elena 2007</h2>
<p>Die Veröffentlichung &#8222;Material Mind &#8211; Materialgedächtnis: Neue Materialien in Design, Kunst und Architektur&#8220; im Dr. Kovac Verlag 2007 erschienen, ist zugleich die Doktorarbeit von Marina-Elena Wachs. Die Promotion von Marina Wachs erfolgte an der HBK Braunschweig &#8211; Hochschule für Bildende Künste Braunschweig, in der Zeit von 2003 bis 2007 und wurde interdisziplinär von der Institut für Kunstwissenschaften &#8211; seitens Prof. Dr. phil. Michael Glasmeier &#8211; und der Institut Transportation Design &#8211; seitens Prof. Dr. Stephan Rammler &#8211; betreut.</p>
<p>zu bestellen unter:<br />
<a href="https://www.verlagdrkovac.de/978-3-8300-3292-2.htm">verlag dr kovac</a></p>
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		<title>How to write a PhD in Design &#8211; a cakewalk?</title>
		<link>https://marinawachs.de/publication/promovieren-im-design-ein-kinderspiel-2/</link>
		
		<dc:creator><![CDATA[Marina Wachs]]></dc:creator>
		<pubDate>Wed, 17 Jan 2024 02:39:44 +0000</pubDate>
				<category><![CDATA[Publication]]></category>
		<guid isPermaLink="false">http://mew.amtenbrink.design/?p=2009</guid>

					<description><![CDATA[In the year 2011, Prof. Dr. Marina-Elena Wachs published togehter with Prof. Dorothee Weinlich (Hochschule Hannover – Fakultät III Medien, Information, Design) the german / engl. title about: &#8211; how to write a PhD in Design, what are the essential key elements about the doctoral thesis in design? &#8211; what kind of logisitics, financial support, [&#8230;]]]></description>
										<content:encoded><![CDATA[<h5>In the year 2011, Prof. Dr. Marina-Elena Wachs published togehter with Prof. Dorothee Weinlich (Hochschule Hannover – Fakultät III Medien, Information, Design) the german / engl. title about:</h5>
<p class="bodytext">&#8211; how to write a PhD in Design, what are the essential key elements about the doctoral thesis in design?</p>
<p class="bodytext">&#8211; what kind of logisitics, financial support, scientific frame… do you need to know &#8230; within the scientific space in design?</p>
<p class="bodytext">&#8211; in addition, in comparison to other European perspectives, comparing the classical path of the German doctoral thesis with the more practise based PhD in GB for example&#8230;</p>
<p class="bodytext">&#8211; this books gives you an overall helpful overview, in discussing the forms of PhD in Design.</p>
<p class="bodytext">&#8211; as well very helpful to respect the scientific design frame for answering the questions about: Design as a scientific field?</p>
<p class="bodytext">(Auf dem Wege zu einer akzeptierten Designwissenschaft, die bezugswissenschaftliche Fachbereiche nutzt, um auf wissenschaftlicher Ebene vergleichbar zu anderen Disziplinen im Diskurs anschließen zu können, ist dieses Buch ein weiterer Meilenstein: die strukturierte Promotion im Fach Design.)</p>
<p>For being interested to get the book, please contact Marina-Elena<br />
info@marinawachs.de</p>
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		<title>The German Look at Design</title>
		<link>https://marinawachs.de/publication/the-german-look-at-design-2/</link>
		
		<dc:creator><![CDATA[Marina Wachs]]></dc:creator>
		<pubDate>Wed, 17 Jan 2024 02:35:00 +0000</pubDate>
				<category><![CDATA[Education]]></category>
		<category><![CDATA[Publication]]></category>
		<guid isPermaLink="false">http://mew.amtenbrink.design/?p=2000</guid>

					<description><![CDATA[The German Look at Design – advanced TEXTILE  solutions 2015 / Prof. Dr. Marina-Elena Wachs zusammen mit Prof. Ellen Bendt, Hochschule Niederrhein – FB Textil- und Bekleidungstechnik The interdisciplinary project „The German Look – advanced TEXTILE solutions“, which had been presented in 2015, showcased a collection of several BA- and MA-student projects and research works [&#8230;]]]></description>
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<h3>The German Look at Design – advanced TEXTILE  solutions</h3>
<h5>2015 / Prof. Dr. Marina-Elena Wachs zusammen mit<br />
Prof. Ellen Bendt, Hochschule Niederrhein – FB Textil- und Bekleidungstechnik</h5>
<p>The interdisciplinary project „The German Look – advanced TEXTILE solutions“, which had been presented in 2015, showcased a collection of several BA- and MA-student projects and research works of Master students, in the following topics …</p>
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<p>The interdisciplinary project „The German Look – advanced TEXTILE solutions“:</p>
<p>I. Smart Textile and Mobility in Fashion: SMART FASHION („creative processing“) II. Luxury and sustainability: „White World“ III. Design concepts…for a better world IV. Textile Porcelain V. Smart mobility to go VI. Kids World – (textile) patterns connecting generations (and special groups in design)</p>
<p>THE CHALLENGE for the students existed in defining the typical character of each cultural design codes, in combination with discussing the terms „Luxury“ and „Mobility“, „Sustainability“ and „Smart Textile“ for example in Fashion AND automotive interior design for advanced design solutions for tomorrow. Forecasting trends in smart textiles, like the actual discussed terms about „Biocouture“ and „Green Smarts“, are only two small aspects about research projects in a new material world… „Upside downing“ in up-cycling design and redesign of handcraft techniques demonstrating the range of parameters in the case of sustainability… With the look at the German style and for example in comparing with Scottish- or Italian fashion design codes or with the craftsman’s knowledge, we will demonstrate „The German Look“ in connecting cultural heritage of fashion design and handcraft power with 3-D techniques…</p>
<p>The project „The German Look – advanced TEXTILE solutions“ – Expositions:</p>
<p>– Fashion Week Berlin: Bikini Haus Berlin January 2015 - TechTextil fair at Frankfurt: 4.-7. May 2015 - Mg zieht an, Mönchengladbach 28.-29. May 2015 - ITMA, Milano 12-19 November 2015</p>
<p>Media: Exhibition catalogue and see film at you tube: The German Look at Design.</p>
<p>please feel invited to contact:  Prof. Dr. Marina-Elena Wachs</p>
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		<title>The beauty in design – Aesthetics and Functions</title>
		<link>https://marinawachs.de/publication/the-beauty-in-design-aesthetics-and-functions-2/</link>
		
		<dc:creator><![CDATA[Marina Wachs]]></dc:creator>
		<pubDate>Wed, 17 Jan 2024 02:27:36 +0000</pubDate>
				<category><![CDATA[Publication]]></category>
		<guid isPermaLink="false">http://mew.amtenbrink.design/?p=1969</guid>

					<description><![CDATA[2017 / Prof. Dr. Marina-Elena Wachs Hochschule Niederrhein – FB Textil- und Bekleidungstechnik Design attraction and design codes stands in relationship to function and strategy concepts in business cases of fashion as well as in automotive design. At the same time we are living in a design dominated world, which gets new inspirations by changing [&#8230;]]]></description>
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<h5>2017 / Prof. Dr. Marina-Elena Wachs<br />
Hochschule Niederrhein – FB Textil- und Bekleidungstechnik</h5>
<p>Design attraction and design codes stands in relationship to function and strategy concepts in business cases of fashion as well as in automotive design. At the same time we are living in a design dominated world, which gets new inspirations by changing production processes from the fourth industrial revolution.</p>
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<p>Industry 4.0, that will transform design, operation, service, and manufacture of products. Generating design as „form follows function“, with the requirement, like Dieter Rams said, „less design as possible“ shows the timeless reasonable fact of classic style with focussing the end of natural sources. The demand on the beauty in design will never end. But what does „Beauteousness“ means in design in the year 2020?</p>
<p>The earlier definition of beauteousness during the renaissance time specified the term „beauteousness“ in relationship to proportion, which had been measured with length in combination with the development of creating central perspective in art, to focus a harmonious balance of creative elements.</p>
<p>Architects and theorists like Leon Batista Alberti defined a well proportion in balance, a harmony of elements to generate an ideal icon of beauty. During the 20s century architects like Sullivan and the Bauhaus school taught the beauty in design as forms related to timeless combinations of geometric forms.</p>
<p>The modern times opened the possibility to get new impetus of the beauty in design, when ugly design gets attraction: Umberto Eco asked about the beauty in ugly phenomena with the help of his book „on Ugliness“, which inspired the fashion scene. Now, during the 21.st century we have to consider that different parameters constructing beauty in design: sustainable requirements, bionic parameters and generated fashion are some examples. Beside the artistic and philosophical definition of beauteousness, the industrial process is generating beauty full forms: digital generating with special software allows to define new beauty full forms – new beauty full codes in product design. And beside this, the generated design creates new functions. Today we know, that only the combination of thinking and doing, in analogue with digital processes will fashioning the future in all design disciplines.</p>
<p>Keywords of the project: beauteousness, analogue and digital processing, digital drawing, Industry 4.0, fashion /-engineering, automotive /-design; sustainability: no waste, beauty of functions, aesthetic value, bionic design, generating fashion. Inspirations: Beauteousness of Nature -forms, Sportswear, Fashion and Icons of the 1990s, Photography, Nordic Countries and others</p>
<h5><a href="https://www.researchgate.net/publication/312426956_The_Beauty_in_Design_-_Aesthetics_and_Functions_Caused_by_Combining_Analogue_with_Digital_Processing_-_Case_Studies_of_Fashion_Engineering_and_Automotive_Design" target="_blank" rel="noopener noreferrer">… see more at Research Gate Marina-Elena Wachs</a></h5>
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		<title>Textile Codes #1</title>
		<link>https://marinawachs.de/publication/textile-codes-1/</link>
		
		<dc:creator><![CDATA[Marina Wachs]]></dc:creator>
		<pubDate>Tue, 16 Jan 2024 16:30:58 +0000</pubDate>
				<category><![CDATA[Publication]]></category>
		<guid isPermaLink="false">http://mew2.amtenbrink.design/?p=2840</guid>

					<description><![CDATA[Textile Codes #1 &#8230;&#8217;Textile Codes #&#8217;are a row of publication, to communicate Textile Codes in different core and interdisciplinary circles. The first issue &#8218;Textile Codes #1&#8216; had been published in the year 2012, when Marina together with her collegue Prof. Marion Ellwanger-Mohr oganized a space togehter with the titel: &#8218;Textile Codes #1 &#8211; analogue and [&#8230;]]]></description>
										<content:encoded><![CDATA[<h2>Textile Codes #1</h2>
<p>&#8230;&#8217;Textile Codes #&#8217;are a row of publication, to communicate Textile Codes in different core and interdisciplinary circles.</p>
<p>The first issue &#8218;Textile Codes #1&#8216; had been published in the year 2012, when Marina together with her collegue Prof. Marion Ellwanger-Mohr oganized a space togehter with the titel: &#8218;Textile Codes #1 &#8211; analogue and digital design statments &#8211; case study the pleat and the act of folding&#8216;.</p>
<p>see more within textile codes #1<br />
ISBN: 978 3 9815469 0 3</p>
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		<title>DESIGN ENGINEERING – sustainable and holistic</title>
		<link>https://marinawachs.de/publication/design-engineering-sustainable-and-holistic/</link>
		
		<dc:creator><![CDATA[Knut Amtenbrink]]></dc:creator>
		<pubDate>Sun, 16 Apr 2023 17:38:44 +0000</pubDate>
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		<category><![CDATA[Consulting]]></category>
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		<guid isPermaLink="false">http://mew.amtenbrink.design/?p=1106</guid>

					<description><![CDATA[Design Engineering – sustainable and holistic, by Marina-Elena Wachs
Graphic design by Eva Finkbeiner
English Lektorat: Louise Huber-Fennell
im Avedition Verlag Stuttgart]]></description>
										<content:encoded><![CDATA[<h5>post doc thesis by Marina-Elena Wachs, 02/2022, Avedition &#8211; a digital &#8211; re-edition plus: &#8218;AI and hands on designing&#8216; in preparation for 2024:</h5>
<h3>DESIGN ENGINEERING – sustainable and holistic</h3>
<p><i>Ich freue mich sehr, dass meine &#8218;post doc thesis&#8216;, über das Thema Design Engineering /-Ausbildung, Herausforderungen und Historie der Nordischen Ländern 2022 erschienen ist! … mit tollen Inspirationen von neuen Talenten und internationalen Statements von Desiger:innen, Architekt:innen, Lichtplanerin, Industrial Designer:innen, digital nerds, Musiker:innen und vielen Disziplinen mehr; Kooperationspartner:innen über Generationen und Ländern hinweg in Europa … all in and all together for the shift in cultural and media behavior for sustainable and holistic educated people – not only in Europe. </i></p>
<p>Thank you so much to all cooperation partner, family and friends!</p>
<p>and please be aware about the digital version in preparation;) as 2nd edition + chapter in AI co-piloting with Hands on Designing and new talents in design&#8230;</p>
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<p>Design Engineering – sustainable and holistic, by Marina-Elena Wachs<br />
Graphic design by Eva Finkbeiner<br />
English Lektorat: Louise Huber-Fennell<br />
im Avedition Verlag Stuttgart</p>
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<p>(272 Seiten mit drei (3) großen Kapiteln mit Bildern und Graphiken)</p>
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<p>more:</p>
<p><a href="https://www.avedition.de/design-engineering-sustainable-and-holistic/978-3-89986-362-8">Design Engineering im Avedition Verlag</a></p>
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<p><a href="https://www.avedition.de/media/b7/ea/25/1757489691/2022_Design%20Engineering_neu_ISSUU.pdf?ts=1757489691">https://www.avedition.de/media/b7/ea/25/1757489691/2022_Design%20Engineering_neu_ISSUU.pdf?ts=1757489691</a></p>
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